Visits
A museum, a concert, a festival — one shoot kept whole, the venue as it was walked through.
A Visit is a single event, photographed in the order it unfolded. A concert from the doors opening to the encore, a museum from the entrance to the last room, a festival across a day or a weekend. The full event — every space it used, indoor and outdoor alike. A museum garden between exhibitions, a venue forecourt before the show, a festival ground at the change of acts. The boundary is the event, not the building.
The discipline is keeping the event intact. Chronological by capture time, every frame in the order the event happened. A concert lives in the arc the night actually had — the build, the long middle, the peak, the room as it cleared. A museum visit lives in the route through the rooms, the unexpected work in a side gallery, the quiet between two crowded halls. The sequence is what was actually there.
Visits exist because events are one-offs. The lighting, the crowd, the order the rooms were walked, the way the night built — these arrive once. A Visit is the record of having been there at the pace it actually had, every frame in the order the event made it, with whatever camera the venue allowed in.